{"id":11583,"date":"2023-10-09T15:16:24","date_gmt":"2023-10-09T13:16:24","guid":{"rendered":"https:\/\/msf.hr\/?p=11583"},"modified":"2023-10-09T15:16:24","modified_gmt":"2023-10-09T13:16:24","slug":"exhibition-sva-su-sela-oko-kupe-bela-croatian-traditional-clothing-in-villages-along-the-kupa-river","status":"publish","type":"post","link":"https:\/\/msf.hr\/en\/exhibition-sva-su-sela-oko-kupe-bela-croatian-traditional-clothing-in-villages-along-the-kupa-river\/","title":{"rendered":"Exhibition &#8220;Sva su sela oko Kupe bela \u2013 Croatian traditional clothing in villages along the Kupa River&#8221;"},"content":{"rendered":"<p>Author: Josip Forjan (Traditional Cultural Heritage Centre)<br \/>\nNikola Tesla Technical Museum Gallery<\/p>\n<p>With its presentation of Croatian traditional clothing in villages along the Kupa River<br \/>\nthe Traditional Cultural Heritage Center joins the celebration of the 100th anniversary<br \/>\nof the ethnologic expedition in the Kupa River basin made by the curators of the<br \/>\nEthnographic Museum in Zagreb Vladimir Tkal\u010di\u0107 and Milovan Gavazzi, painters<br \/>\nSre\u0107ko Sabljak and Maksimilijan Vanka, and five of their friends, who sailed down<br \/>\nfor about a hundred kilometres on the river and visited thirty-four villages on both<br \/>\nbanks, researching the ethnographic heritage of the villages along the Kupa river.<br \/>\nThe Kupa, a 294 km long river running from Gorski Kotar to the point where it flows into<br \/>\nthe Sava River near Sisak, is the third largest river in Croatia after the Sava and Drava. The<br \/>\nbasin of the Kupa River is composed of several regional areas of different ethnographic<br \/>\ncharacteristics, with clothing, or traditional costumes, being one of the most obvious ones.<br \/>\nTraditional clothing in Gorski Kotar, around the source of the Kupa River, was<br \/>\nabandoned in everyday use in favour of urban fashion very early. There are<br \/>\nfew original items preserved, mostly in museums, and written records about<br \/>\ntraditional clothing are sparse. The clothing was formed under the strong<br \/>\ninfluence of the Alpine cultural area, evident in the cut and ornaments.<br \/>\nTraditional costumes of the Ozalj area are specific, with a distinction between the costumes<br \/>\nof the area around Kamanje and those in the area around Mahi\u0107no, both containing<br \/>\nnumerous archaic elements. The most specific element is the headdress for married<br \/>\nwomen called jalba, made using an old knitting technique on a wooden frame called lucanj.<br \/>\nThe costumes of the larger area around Karlovac are mostly consistent, made of<br \/>\nhome-made natural beige linen or white cotton fabric decorated with characteristic<br \/>\nblue buttonhole stitch embroidery, which has more recently been increasingly<br \/>\nreplaced with the hand- or machine-made ri\u0161alje stitch with white or coloured<br \/>\nthread. They are also characterized by small vertical folds called knjiganje on women\u2019s<\/p>\n<p>skirts called krila and small blue vests called lajbak, decorated with a black<br \/>\nribbon called \u0161ujta\u0161 and golden or silver haberdasher\u2019s ribbons called \u0161iriti.<br \/>\nThe costumes of Re\u010dica, \u0160i\u0161ljavi\u0107, and the surrounding villages make up a separate<br \/>\nethnographic unit. These are known for their skirts called krila with small folds and<br \/>\ndecorated with horizontal black ornaments called pre\u0161iva and kri\u017ei. These are<br \/>\ndecorative white or colourful embroidered surfaces on the back. Men\u2019s clothing<br \/>\nfeatures cross-stitched details in various colours on the shirt, plain-woven trousers<br \/>\ncalled pantalone with embroidery and vertical sewed-in creases called naborine.<br \/>\nThe traditional costume of Donja Kup\u010dina and the surrounding villages is distinct for<br \/>\nits archaic horned women\u2019s headpiece rogi called \u0161pi\u0161njak, reminiscent of medieval<br \/>\nheadwear. The costumes of Lasinja and Jamnica are of similar types. They are<br \/>\nmade of white, plain-woven linen and subtly decorated with white and coloured<br \/>\nembroidery. These are recognizable for horizontal creases on both women\u2019s and<br \/>\nmen\u2019s sleeves, men\u2019s trousers and tiny vertical creases on women\u2019s skirts and aprons,<br \/>\nwhich are often the only decoration on the costume. Married women\u2019s clothing<br \/>\ninventory also contains a double-horned headpiece called rogi, which, in its most<br \/>\nfestive variant, is decorated with cross-stitch, glass beads and silk ribbons.<br \/>\nIn the villages along the Kupa river from Pokupsko to Sisak, where it enters the<br \/>\nSava, people used to wear clothing more typical of the Sava river basin with<br \/>\nstrong Pannonian characteristics made of large quantities of light plain-woven<br \/>\nlinen and decorated with various weaving techniques (u zijev, na prebor) or with<br \/>\nmultiple floral embroideries in the peasant baroque style. Married women wore a<br \/>\ncharacteristic headpiece called kapica (in Pokupsko) or poculica in the villages closer<br \/>\nto Sisak (Letovani\u0107, Brest, Sela), which is more typical for the Sava river area.<br \/>\nThe exhibition presents costumes from the Traditional Cultural Heritage Center\u2019s<br \/>\nrich collections, museums, private collections, and collections of folklore groups.<\/p>\n<p>Josip Forjan<br \/>\nTraditional Cultural Heritage Center<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author: Josip Forjan (Traditional Cultural Heritage Centre) Nikola Tesla Technical Museum Gallery With its presentation of Croatian traditional clothing in<\/p>\n","protected":false},"author":3,"featured_media":11154,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[171],"tags":[],"class_list":["post-11583","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/msf.hr\/en\/wp-json\/wp\/v2\/posts\/11583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/msf.hr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/msf.hr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/msf.hr\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/msf.hr\/en\/wp-json\/wp\/v2\/comments?post=11583"}],"version-history":[{"count":1,"href":"https:\/\/msf.hr\/en\/wp-json\/wp\/v2\/posts\/11583\/revisions"}],"predecessor-version":[{"id":11584,"href":"https:\/\/msf.hr\/en\/wp-json\/wp\/v2\/posts\/11583\/revisions\/11584"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/msf.hr\/en\/wp-json\/wp\/v2\/media\/11154"}],"wp:attachment":[{"href":"https:\/\/msf.hr\/en\/wp-json\/wp\/v2\/media?parent=11583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/msf.hr\/en\/wp-json\/wp\/v2\/categories?post=11583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/msf.hr\/en\/wp-json\/wp\/v2\/tags?post=11583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}